At the beginning of [chess], there are no variations. There is only one way to set up a board. There are nine million variations after the first six moves. And after eight moves there are two hundred and eighty-eight billion different positions. And those possibilities keep growing. There are more possible ways to play a game of chess than the amount of atoms in the observable universe. So it gets very messy. And there is no right way to play; there are many ways. In chess, as in life, possibility is the basis of everything. Every hope, every dream, every regret, every moment of living.Matt Haig, The Midnight Library
What an analogy to life! You make a decision, thinking you know the outcome or the desired outcome or the correct outcome. We moved to Ecuador for our family to have a new experience and make a difference in our community and become bilingual. And while the first two are actively happening in wonderful ways we could not have predicted, the third is sliming along at a snail’s pace. Not what we imagined. I tell myself that the time and effort it is taking for all of us to learn Spanish might provide experiences and (embarrassing) memories that we will come to cherish. This time and effort might be making us into better humans. I can only hope so. Because if I don’t, my forehead will start looking for the nearest brick wall.
You might remember my announcing with great grandeur and flourish that I’m going to write a book, a terrifying but exciting decision. But I felt ready. I had the support and encouragement of a successful author and educational consultant. I had a good idea. I had the work ethic.
I sat at that chessboard knowing that my first move would be just that — the first move, of many. But I also knew that my first move would be the start of a game that I would win. And winning meant that I was going to publish this book. Not a bad way to play a game, knowing that you’re going to win and knowing what winning looks like.
So I got to work. I wrote, I edited, I pondered life’s mysteries, I drank coffee. I compiled my work into the required proposal format. I sent it off to a large educational publishing company with humility to know that it was my “reach” publishing company. No surprise, I received my first rejection letter a few weeks later. I was pretty sure my first move would result in this.
Oddly, I felt a sort of pride receiving this, knowing that most great authors out there have experienced rejection. I was all set for this rejection to be a wonderful chapter in my becoming a great author story. And, really, this big bad publishing company didn’t even know me. Why would they take a chance on a complete unknown author when they didn’t have to? Well anyway, I changed their message.
I created the closure for this rejection and moved on in stride. I went back to the proposal drawing board for the next company. Now this company — this company was the one my mentor recommended as a good fit for me and for the type of book I was writing. I pored over the proposal, checking everything. I didn’t want a single apostrophe out of place. Suffice it to say, I was very nervous submitting the proposal. I probably checked over the email and the attached proposal for 20 minutes before simply pressing that blue SEND (while holding my breath and twitching my toes).
In a few weeks, I received the reply.
You know, I felt like I had a knight-fork chess move going with those two publishing companies. Surely I would get one, but there was a countermove I hadn’t expected, and I lost my knight. (Steve helped me with this one: a knight-fork move is when a knight is attacking two pieces at the same time.)
Jen, you again
Because losing my knight didn’t mean I was going to lose the game. I still had all my major pieces. I had my queen and two rooks (or if we care to remember the analogy to life — I still had my physical and mental health). I would keep playing and doing my best. But I was sad all the same. And that was OK.
Wipe the tears away . . . and ONWARD to the next publisher I go. I rewrote and reorganized my proposal to fit this publisher’s particular format and even added some details that I thought would help. Looking back, this third proposal really was the best. I had been so confident in my first proposal and then even more in my second, but those two rejections had forced me to see that my best hadn’t been that first or second proposal. It was my third. I was feeling good. Again I waited the several weeks for a reply, and when I saw it sitting unread in my email, I had butterflies. This could be good!
Neat. And, you’re welcome for the bit about the iPad and melatonin! How exciting that you liked that! So so great!
This trying-to-publish-a-book thing is not for the faint of heart. Luckily I have a nice strong heart. So that’s one thing goin’ for me. And a wee bit of creativity to bring me out of the black and white chess game for a little break.
And speaking of movement, I remember another tidbit of advice Mrs. Elm, the wise librarian from The Midnight Library, gave to the hapless protagonist, Nora:
. . . a pawn is the most magical piece of all. It might look small and ordinary but it isn’t. Because a pawn is never just a pawn. A pawn is a queen-in-waiting. All you need to do is find a way to keep moving forward. One square after another. And you can get to the other side and unlock all kinds of power.
All you need to do is find a way to keep moving forward. And I’d humbly add to that: AND NOT GET CAPTURED BY THE ENEMY AND DIE. Simple yet powerful advice for playing with a pawn. And for living life. And for trying to publish a book in the time of COVID when publishing companies have had postponements and they’ve downsized and they’re only going with sure-deals and they’re only looking at known authors and
Interestingly, two friends recently gifted me with the book Get to the Publishing Punchline, by Joy Eggerichs Reed. I devoured it. It was an easy, fun, funny read, and I enjoyed it. But it was discouraging, too. I read through all the advice Reed gave, and for most of it, I can say that I enthusiastically followed it. But just like reading a chess book can’t prepare you for every possible move you might need to make in a real game, reading a book about publishing didn’t help me for this particular move in this publishing game. But it might for the next move.
That is, when I figure out what that next move will be.
So that’s what’s on the agenda for me: stare at the chess board and do some serious thinking. Perhaps it’s time to pay a little more attention to my pawns.
And, hey, if you know of any good educational publishing companies out there, let me know. I’ll take all the help I can get.
There is always a time to say it with fresh eyes, a fresh voice, and, frankly, an alive voice. And if you are alive, and something is in you to write, get it out.Joy Eggerichs Reed, Get to the Publishing Punchline: A Fun (and Slightly Aggressive) 30 Day Guide to Get Your Book Ready for the World